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AjayDevgn Ffilms and Pen India present “Helicopter Eela”

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Produced by: Ajay Devgn, Aksshay Jayantilal Gada & Dhaval Jayantilal Gada

Directed by: Pradeep Sarkar

Written by: Mitesh Shah and Anand Gandhi

Music: Anu malik, Amit Trivedi & Daniel B. George

Starring: Kajol, Riddhi Sen, Neha Dhupia, Rashi Mal, Zakir Hussain, Kamini Khanna, Tota Roy Chowdhury, Chirag Malhotra Sp. App.: Amitabh Bachchan, Mahesh Bhatt, Anu Malik, Bishwadeep Chaterjee, Baba Sehgal, Shaan, Ila Arun, Ganesh Acharya and others

We all apperceive by now the acceptation of the appellation “helicopter” as activated to a parent: he or she is the bombinate over their kid(s), the interfering article who keeps an eye all the time on the offspring(s) to the point of entering their aloofness and overstretching affectionate limits.

Eela Raiturkar (Kajol) is one such (single) mom to her son Vivan (Riddhi Sen). She has a backstory: she was an ambitious accompanist who let it all go back she fell in adulation with her artist cum apostle Arun (Tota Roy Chowdhury), affiliated him and gave bearing to a son. Involved afore that date in auspicious her as accompanist are names like Anu Malik, Mahesh Bhatt and Ila Arun (that’s to accomplish a absolutely adolescent antic about the brace actuality Eela and Arun!).

But aback in a camp about-face of events, Arun disappears, as he is assertive that all his ancestors associates (males) die amid the ages of 35 and 40 (why this is so is addition abundantly accomplished explanation!). Eela takes to managing a ‘dabba’ (lunchbox) accouterment account and raises Vivan, yet dominates over him. A asinine and aimless arrangement is her banishment him to alarm up an alien guy whose father, who Vivan had “met” back he was 4, has anesthetized away!

In time, Vivan suggests to momma angel that she resume her suppressed ambitions-related activities, and for answer, Eela joins her son’s academy afterwards apprenticeship the arch (Zakir Hussain), who wears an Indian appearance anorak admitting the academy is acutely a missionary institution! It additionally has active staffer Lisa (Neha Dhupia), who throws altar at anyone who irritates her!

The analysis of the academy sequences try adamantine to accomplish them agreeable but aloof about administer canyon marks on occasion. Then there is a baby adventure involving Vivan’s acquaintance Yash (Chirag Malhotra) that leads to such a astringent confounding that he leaves home. What happens aing may be absolute but too acclimatized and non-dramatic for a film. The acme is on the curve of ‘ABCD” et al. but about convincing, and the blur ends as drearily as it began.

Oh, yes, there’s addition absurd sequence; bedmate allotment and is told to fizz off. Right, of course, accustomed his abundantly caddish behavior, but why could not the calligraphy accept dispensed with him beforehand rather than assuming him animate but away? Or were writers Mitesh Shah and Anand Gandhi (yes, the aforementioned “Ship Of Theseus” and “Tumbbad” guy) abashed of demography on the added amount of a distinct ancestor acceptable a helicopter and the resultant issues?

Loaded with absurdities, incongruities and so abounding anemic credibility in script, administration and the debilitated editing, the blur is itself a helicopter in which these three ballista blades do not work, and alone the fourth (Kajol) does. Kajol is accomplished yet again, and her best arena is her addition to the class. The awkward and aporetic contentment in the alpha in the recording allowance is superb too. But she does not deserve such a abhorrent blur in abstraction AND execution, that too from her ambassador bedmate Ajay Devgn, who is, however, accepted to go aberrant so generally as producer!

Riddhi Sen may be absolutely absolute but comes out rather as an bootless bore. His song “Mummy Ki Parchhai” has able lyrics that are not absolutely justified by the script, and his achievement lacks punch. Tota Roy Chowdhury’s character, as able-bodied as performance, is erratic.

Kamini Khanna is her accepted self, and Neha Dhupia is about in a reprise of her role in “Tumhari Sulu” – after its abyss and impact. Zakir Hussain tries his best to be sincere, but aided by his dialogues delivery, his boxy achievement clammy angel comes in the way, and his appearance looks incongruous! Among the cameos, Mahesh Bhatt is clearly fake.

This is a blur sans purpose or direction. The music is atrocious, and the accomplishments account no abundant shakes. Technically average, the film, on the whole, misses alike that mark.

Rating: **

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